Fredi Washington

Collaborators: Pianists & Politics in Matthay’s Europe, the Civil Rights Movement, and Today

When I wrote The Broadcast 41, I made a decision to write the book about a cohort--a group of women making their way in media in the 1930s and 1940s--rather than as a series of case studies. Part of the reason wasn't that ALL the stories were so compelling, but mainly I wanted to pass the baton to other scholars and give them enough so that they could devote attention to the individual stories.