Why did images of white, nuclear families dominate television in the 1950s? Why has it taken nearly 70 years for images of a diverse America—featuring people of color, immigrants, women as independent social beings—to appear on prime time television? Challenging the longstanding belief that what appeared on television screens in the 1950s and after resulted from some social consensus, The Broadcast 41 addresses these and other questions by telling two intersecting stories. The first story documents the heterogeneous perspectives of a generation of progressive women who had been…
This wonderful documentary about musician, performer, and activist Hazel Scott tells the story of Scott's many successes and her subsequent disappearance because of the blacklist.
Dorothy Parker's distaste for Hollywood was legendary and all too understandable. Not crazy about the opening to this article on Gail Crowther’s new book (Dorothy Parker in Hollywood), but Hollywood had fewer more trenchant and intelligent critics than Parker.